Women’s wrestling in WWE our top 10 matches of the year features three NXT women’s matches, for example it was also the year of the “Divas Revolution,” which sometimes felt more like a marketable hashtag than a mission statement. The talented, popular female performers from NXT were brought up to the main roster without defined characters or stories beyond “you’re all on teams and you have a bunch of matches,” and what should’ve been a reason for unbridled positivity turned into a divisive argument. The thing about Triple H is he’s very smart and is a visionary really. As the person in charge of talent, his job is to recognize their abilities, spot their potential, then provide them with the opportunity that could elevate them that way they can make the most of them in the company. The cool thing is that he looked at the Divas division and he didn’t just see them as women, he saw these amazing athletes and characters that could do well on the show and connect with the fans. That’s what he did, he gave them the opportunity. Once the fans connect with them, they’re golden.” You’d think that “good wrestling interesting characters” wouldn’t be such a missing link in wrestling writing, but far too often we go in one direction or the other. The initial Divas Revolution looked to improve the quality of the women’s matches on Raw and Smackdown, but neglected to establish who was wrestling, and why. When you realize that’s happening and push too hard in the other direction, you get stuff like, “your little brother died from a heroin overdose